{"id":1593,"date":"2020-12-10T14:57:21","date_gmt":"2020-12-10T17:57:21","guid":{"rendered":"http:\/\/revistaoropel.cl\/?p=1593"},"modified":"2020-12-23T13:02:56","modified_gmt":"2020-12-23T16:02:56","slug":"claustro-el-sueno-de-la-razon-produce-monstruos","status":"publish","type":"post","link":"https:\/\/revistaoropel.cl\/index.php\/2020\/12\/10\/claustro-el-sueno-de-la-razon-produce-monstruos\/","title":{"rendered":"Claustro: El sue\u00f1o de la raz\u00f3n produce monstruos"},"content":{"rendered":"<div id=\"meta\" class=\"style-scope ytd-watch-flexy\">\n<div id=\"meta-contents\" class=\"style-scope ytd-watch-flexy\">\n<div id=\"container\" class=\"style-scope ytd-video-secondary-info-renderer\">\n<div id=\"content\" class=\"style-scope ytd-expander\">\n<div id=\"description\" class=\"style-scope ytd-video-secondary-info-renderer\" style=\"text-align: justify;\">El encierro a partir de la pandemia ha hecho que los demonios o monstruos comiencen a aparecer, sin embargo al haber vivido tanto hacia el exterior nunca nos pudimos hacer conscientes de ellos. En Claustro, la visualidad se basa en los detalles, que tambi\u00e9n parec\u00edan desaparecidos antes de que todo comenzara a pasar, pero que al igual que los monstruos llevan ah\u00ed mucho tiempo. Papeles tapices gastados, latas oxidadas, hoyos en las paredes y plantas que crecen.<\/div>\n<div><\/div>\n<div><\/div>\n<\/div>\n<\/div>\n<div><\/div>\n<div id=\"container\" class=\"style-scope ytd-video-secondary-info-renderer\">\n<div><\/div>\n<\/div>\n<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div id=\"meta-contents\" class=\"style-scope ytd-watch-flexy\">\n<div id=\"container\" class=\"style-scope ytd-video-secondary-info-renderer\">\n<div id=\"content\" class=\"style-scope ytd-expander\">\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/k5CnkDfW3Lk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div style=\"text-align: center;\"><\/div>\n<div><\/div>\n<div class=\"style-scope ytd-video-secondary-info-renderer\">Videoensayo por <strong>Felipe Torres <\/strong><\/div>\n<div class=\"style-scope ytd-video-secondary-info-renderer\">La fotograf\u00eda de portada es Nostalgia de <strong>Bel\u00e9n Ortega<\/strong><\/div>\n<\/div>\n<div id=\"always-shown\" class=\"style-scope ytd-metadata-row-container-renderer\"><\/div>\n<div id=\"collapsible\" class=\"style-scope ytd-metadata-row-container-renderer\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"ticket-shelf\" class=\"style-scope ytd-watch-flexy\"><\/div>\n<div id=\"header\" class=\"style-scope ytd-item-section-renderer\">\n<div id=\"title\" class=\"style-scope ytd-comments-header-renderer\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El encierro a partir de la pandemia ha hecho que los demonios o monstruos comiencen a aparecer, sin embargo al haber vivido tanto hacia el exterior nunca nos pudimos hacer conscientes de ellos. En Claustro, la visualidad se basa en los detalles, que tambi\u00e9n parec\u00edan desaparecidos antes de que todo comenzara a pasar, pero que [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":1595,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[444],"tags":[],"class_list":["post-1593","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-videoensayo"],"_links":{"self":[{"href":"https:\/\/revistaoropel.cl\/index.php\/wp-json\/wp\/v2\/posts\/1593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistaoropel.cl\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistaoropel.cl\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistaoropel.cl\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/revistaoropel.cl\/index.php\/wp-json\/wp\/v2\/comments?post=1593"}],"version-history":[{"count":3,"href":"https:\/\/revistaoropel.cl\/index.php\/wp-json\/wp\/v2\/posts\/1593\/revisions"}],"predecessor-version":[{"id":1597,"href":"https:\/\/revistaoropel.cl\/index.php\/wp-json\/wp\/v2\/posts\/1593\/revisions\/1597"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistaoropel.cl\/index.php\/wp-json\/wp\/v2\/media\/1595"}],"wp:attachment":[{"href":"https:\/\/revistaoropel.cl\/index.php\/wp-json\/wp\/v2\/media?parent=1593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistaoropel.cl\/index.php\/wp-json\/wp\/v2\/categories?post=1593"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistaoropel.cl\/index.php\/wp-json\/wp\/v2\/tags?post=1593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}